亂世忠魂 From Here to Eternity
118 min. 1953
Writing credits
Daniel Taradash (screenplay)
James Jones (novel)
1954 Academy Awards
Best Actor in a Supporting Role (Frank Sinatra & Donna Reed)
Best Cinematography, Black-and-White
Best Director
Best Picture
Best Writing, Screenplay
Burt Lancaster ... Sgt. Milton Warden
Montgomery Clift ... Pvt. Robert E. Lee Prewitt
Deborah Kerr ... Karen Holmes
Donna Reed ... Alma 'Lorene' Burke
Frank Sinatra ... Pvt. Angelo Maggio
Philip Ober ... Capt. Dana Holmes
Ernest Borgnine ... Sgt. 'Fatso' Judson
John Dennis ... Sgt. Ike Galovitch
John Bryant ... Capt. G.R. Ross (uncredited)
1.
The scene in which Maggio meets Prew and Lorene in the bar after he walks off guard duty, was actually Frank Sinatra's screen test for the part of Maggio. To impress director Fred Zinnemann, he did an ad-lib using olives as dice and pretending to shoot craps. The entire sequence was kept as is and used in the picture.
2.
A false rumor has been circulating for years that George Reeves, who played Sgt. Maylon Stark, had his role drastically edited after preview audiences recognized him as TV's Adventures of Superman. According to director Fred Zinnemann, screenwriter Daniel Taradash and assistant director Earl Bellamy, the rumor is false. Every scene written for Reeves' character was filmed, and each of those scenes is still present in its entirety in the film as released. This rumor is nonetheless repeated as truth in Hollywoodland, a movie about the investigation into Reeves' death.
3.
The novel was deemed unfilmable for a long time because of its negative portrayal of the US army (which would prevent the army from supporting the film with people and hardware/logistics) and the profanity. To get army support and pass the censorship of the time crucial details had to be changed. The brothel became a night club, the whores hostesses. The profanity was removed, the brutal treatment in the stockade toned down and Captain Holmes removed from the army instead of promoted.
4.
Joan Fontaine was offered the role of Karen Holmes but had to decline due to family problems. She now regrets it and blames the failure of her late career to turning down the offer.
5.
The now classic scene between Burt Lancaster and Deborah Kerr in the rushing water on the beach was not written to take place there. The idea to film with the waves hitting them was a last minute inspiration from the director.
6.
The title phrase comes originally from Rudyard Kipling's 1892 poem "Gentlemen-Rankers", about soldiers of the British Empire who had "lost their way" and were "damned from here to eternity".
7.
An urban myth regarding the casting of Frank Sinatra was that the Mafia made Columbia Pictures an offer they couldn't refuse. This of course was fictionalized in Mario Puzo's novel The Godfather and its subsequent film adaptation. The real reason for Sinatra's casting was mainly his then-wife Ava Gardner, who was shooting a film for Columbia head Harry Cohn and suggested to him that he use Sinatra. Although initially reluctant, Cohn eventually saw this as being a good idea, as Sinatra's stock was so low at the time that he would sign for a very low salary. Sinatra had been lobbying hard for the role,even suggesting he would do it for nothing, but he was eventually hired for the token amount of $8,000.
8.
Harry Cohn resisted the idea of casting Montgomery Clift as Prewitt as "he was no soldier, no boxer and probably a homosexual". Fred Zinnemann refused to make the film without him.
9.
Fred Zinnemann insisted on filming in black and white, as he felt that "color would have made it look trivial". He also eschewed the use of any of the popular new widescreen ratios.
10.
Fred Zinnemann was initially reluctant to make the film, as he had an inherent distrust of Columbia head Harry Cohn. He also felt that in the then climate of McCarthyism, to voice anything that cast any doubt over such institutions as the Army, the Navy or the FBI was just asking for trouble.
11.
Burt Lancaster was nervous when he started the film. Most of his previous pictures had been fairly lightweight productions, and this was his first "serious" role. He was especially intimidated by Montgomery Clift's skill and intensity.
12.
As scripted, Deborah Kerr and Burt Lancaster's classic clinch on the beach was to be filmed standing up. It was Lancaster's idea to do it horizontally in the surf. The scene was filmed at Halona Cove on the eastern side of Oahu, near Koko Head Crater and Sandy Beach, and the location became a major tourist attraction for years after.
13.
The MPAA banned photos of the famous Burt Lancaster-Deborah Kerr passionate kiss on the beach for being too erotic. Many prints had shortened versions of the scene because projectionists would cut out frames to keep as souvenirs.
14.
At the first meeting at the beach, Warden makes a comment about Karen "... acting like Lady Nancy Astor's horse...". This is a variant of "Mrs Astor's Pet Horse" and refers to someone who is either overly dressed-up or made-up, or full of self-importance ("Dictionary of American Regional English").
15.
Joan Crawford was originally meant to play her role in From Here to Eternity, but when she insisted on shooting the film with her own cameraman, the studio balked. They decided to take a chance and cast Deborah Kerr, who then was struggling with her ladylike stereotype, to play the adulterous military wife who has an affair with Burt Lancaster. The casting worked and Ms. Kerr's career thereafter enjoyed a new, sexier versatility.
亂世忠魂 From Here to Eternity
118 min. 1953
Writing credits
Daniel Taradash (screenplay)
James Jones (novel)
1954 Academy Awards
Best Actor in a Supporting Role (Frank Sinatra & Donna Reed)
Best Cinematography, Black-and-White
Best Director
Best Picture
Best Writing, Screenplay
Burt Lancaster ... Sgt. Milton Warden
Montgomery Clift ... Pvt. Robert E. Lee Prewitt
Deborah Kerr ... Karen Holmes
Donna Reed ... Alma 'Lorene' Burke
Frank Sinatra ... Pvt. Angelo Maggio
Philip Ober ... Capt. Dana Holmes
Ernest Borgnine ... Sgt. 'Fatso' Judson
John Dennis ... Sgt. Ike Galovitch
John Bryant ... Capt. G.R. Ross (uncredited)
1.
The scene in which Maggio meets Prew and Lorene in the bar after he walks off guard duty, was actually Frank Sinatra's screen test for the part of Maggio. To impress director Fred Zinnemann, he did an ad-lib using olives as dice and pretending to shoot craps. The entire sequence was kept as is and used in the picture.
2.
A false rumor has been circulating for years that George Reeves, who played Sgt. Maylon Stark, had his role drastically edited after preview audiences recognized him as TV's Adventures of Superman. According to director Fred Zinnemann, screenwriter Daniel Taradash and assistant director Earl Bellamy, the rumor is false. Every scene written for Reeves' character was filmed, and each of those scenes is still present in its entirety in the film as released. This rumor is nonetheless repeated as truth in Hollywoodland, a movie about the investigation into Reeves' death.
3.
The novel was deemed unfilmable for a long time because of its negative portrayal of the US army (which would prevent the army from supporting the film with people and hardware/logistics) and the profanity. To get army support and pass the censorship of the time crucial details had to be changed. The brothel became a night club, the whores hostesses. The profanity was removed, the brutal treatment in the stockade toned down and Captain Holmes removed from the army instead of promoted.
4.
Joan Fontaine was offered the role of Karen Holmes but had to decline due to family problems. She now regrets it and blames the failure of her late career to turning down the offer.
5.
The now classic scene between Burt Lancaster and Deborah Kerr in the rushing water on the beach was not written to take place there. The idea to film with the waves hitting them was a last minute inspiration from the director.
6.
The title phrase comes originally from Rudyard Kipling's 1892 poem "Gentlemen-Rankers", about soldiers of the British Empire who had "lost their way" and were "damned from here to eternity".
7.
An urban myth regarding the casting of Frank Sinatra was that the Mafia made Columbia Pictures an offer they couldn't refuse. This of course was fictionalized in Mario Puzo's novel The Godfather and its subsequent film adaptation. The real reason for Sinatra's casting was mainly his then-wife Ava Gardner, who was shooting a film for Columbia head Harry Cohn and suggested to him that he use Sinatra. Although initially reluctant, Cohn eventually saw this as being a good idea, as Sinatra's stock was so low at the time that he would sign for a very low salary. Sinatra had been lobbying hard for the role,even suggesting he would do it for nothing, but he was eventually hired for the token amount of $8,000.
8.
Harry Cohn resisted the idea of casting Montgomery Clift as Prewitt as "he was no soldier, no boxer and probably a homosexual". Fred Zinnemann refused to make the film without him.
9.
Fred Zinnemann insisted on filming in black and white, as he felt that "color would have made it look trivial". He also eschewed the use of any of the popular new widescreen ratios.
10.
Fred Zinnemann was initially reluctant to make the film, as he had an inherent distrust of Columbia head Harry Cohn. He also felt that in the then climate of McCarthyism, to voice anything that cast any doubt over such institutions as the Army, the Navy or the FBI was just asking for trouble.
11.
Burt Lancaster was nervous when he started the film. Most of his previous pictures had been fairly lightweight productions, and this was his first "serious" role. He was especially intimidated by Montgomery Clift's skill and intensity.
12.
As scripted, Deborah Kerr and Burt Lancaster's classic clinch on the beach was to be filmed standing up. It was Lancaster's idea to do it horizontally in the surf. The scene was filmed at Halona Cove on the eastern side of Oahu, near Koko Head Crater and Sandy Beach, and the location became a major tourist attraction for years after.
13.
The MPAA banned photos of the famous Burt Lancaster-Deborah Kerr passionate kiss on the beach for being too erotic. Many prints had shortened versions of the scene because projectionists would cut out frames to keep as souvenirs.
14.
At the first meeting at the beach, Warden makes a comment about Karen "... acting like Lady Nancy Astor's horse...". This is a variant of "Mrs Astor's Pet Horse" and refers to someone who is either overly dressed-up or made-up, or full of self-importance ("Dictionary of American Regional English").
15.
Joan Crawford was originally meant to play her role in From Here to Eternity, but when she insisted on shooting the film with her own cameraman, the studio balked. They decided to take a chance and cast Deborah Kerr, who then was struggling with her ladylike stereotype, to play the adulterous military wife who has an affair with Burt Lancaster. The casting worked and Ms. Kerr's career thereafter enjoyed a new, sexier versatility.
亂世忠魂 From Here to Eternity
118 min. 1953
Writing credits
Daniel Taradash (screenplay)
James Jones (novel)
1954 Academy Awards
Best Actor in a Supporting Role (Frank Sinatra & Donna Reed)
Best Cinematography, Black-and-White
Best Director
Best Picture
Best Writing, Screenplay
Burt Lancaster ... Sgt. Milton Warden
Montgomery Clift ... Pvt. Robert E. Lee Prewitt
Deborah Kerr ... Karen Holmes
Donna Reed ... Alma 'Lorene' Burke
Frank Sinatra ... Pvt. Angelo Maggio
Philip Ober ... Capt. Dana Holmes
Ernest Borgnine ... Sgt. 'Fatso' Judson
John Dennis ... Sgt. Ike Galovitch
John Bryant ... Capt. G.R. Ross (uncredited)
1.
The scene in which Maggio meets Prew and Lorene in the bar after he walks off guard duty, was actually Frank Sinatra's screen test for the part of Maggio. To impress director Fred Zinnemann, he did an ad-lib using olives as dice and pretending to shoot craps. The entire sequence was kept as is and used in the picture.
2.
A false rumor has been circulating for years that George Reeves, who played Sgt. Maylon Stark, had his role drastically edited after preview audiences recognized him as TV's Adventures of Superman. According to director Fred Zinnemann, screenwriter Daniel Taradash and assistant director Earl Bellamy, the rumor is false. Every scene written for Reeves' character was filmed, and each of those scenes is still present in its entirety in the film as released. This rumor is nonetheless repeated as truth in Hollywoodland, a movie about the investigation into Reeves' death.
3.
The novel was deemed unfilmable for a long time because of its negative portrayal of the US army (which would prevent the army from supporting the film with people and hardware/logistics) and the profanity. To get army support and pass the censorship of the time crucial details had to be changed. The brothel became a night club, the whores hostesses. The profanity was removed, the brutal treatment in the stockade toned down and Captain Holmes removed from the army instead of promoted.
4.
Joan Fontaine was offered the role of Karen Holmes but had to decline due to family problems. She now regrets it and blames the failure of her late career to turning down the offer.
5.
The now classic scene between Burt Lancaster and Deborah Kerr in the rushing water on the beach was not written to take place there. The idea to film with the waves hitting them was a last minute inspiration from the director.
6.
The title phrase comes originally from Rudyard Kipling's 1892 poem "Gentlemen-Rankers", about soldiers of the British Empire who had "lost their way" and were "damned from here to eternity".
7.
An urban myth regarding the casting of Frank Sinatra was that the Mafia made Columbia Pictures an offer they couldn't refuse. This of course was fictionalized in Mario Puzo's novel The Godfather and its subsequent film adaptation. The real reason for Sinatra's casting was mainly his then-wife Ava Gardner, who was shooting a film for Columbia head Harry Cohn and suggested to him that he use Sinatra. Although initially reluctant, Cohn eventually saw this as being a good idea, as Sinatra's stock was so low at the time that he would sign for a very low salary. Sinatra had been lobbying hard for the role,even suggesting he would do it for nothing, but he was eventually hired for the token amount of $8,000.
8.
Harry Cohn resisted the idea of casting Montgomery Clift as Prewitt as "he was no soldier, no boxer and probably a homosexual". Fred Zinnemann refused to make the film without him.
9.
Fred Zinnemann insisted on filming in black and white, as he felt that "color would have made it look trivial". He also eschewed the use of any of the popular new widescreen ratios.
10.
Fred Zinnemann was initially reluctant to make the film, as he had an inherent distrust of Columbia head Harry Cohn. He also felt that in the then climate of McCarthyism, to voice anything that cast any doubt over such institutions as the Army, the Navy or the FBI was just asking for trouble.
11.
Burt Lancaster was nervous when he started the film. Most of his previous pictures had been fairly lightweight productions, and this was his first "serious" role. He was especially intimidated by Montgomery Clift's skill and intensity.
12.
As scripted, Deborah Kerr and Burt Lancaster's classic clinch on the beach was to be filmed standing up. It was Lancaster's idea to do it horizontally in the surf. The scene was filmed at Halona Cove on the eastern side of Oahu, near Koko Head Crater and Sandy Beach, and the location became a major tourist attraction for years after.
13.
The MPAA banned photos of the famous Burt Lancaster-Deborah Kerr passionate kiss on the beach for being too erotic. Many prints had shortened versions of the scene because projectionists would cut out frames to keep as souvenirs.
14.
At the first meeting at the beach, Warden makes a comment about Karen "... acting like Lady Nancy Astor's horse...". This is a variant of "Mrs Astor's Pet Horse" and refers to someone who is either overly dressed-up or made-up, or full of self-importance ("Dictionary of American Regional English").
15.
Joan Crawford was originally meant to play her role in From Here to Eternity, but when she insisted on shooting the film with her own cameraman, the studio balked. They decided to take a chance and cast Deborah Kerr, who then was struggling with her ladylike stereotype, to play the adulterous military wife who has an affair with Burt Lancaster. The casting worked and Ms. Kerr's career thereafter enjoyed a new, sexier versatility.
亂世忠魂 From Here to Eternity
118 min. 1953
Writing credits
Daniel Taradash (screenplay)
James Jones (novel)
1954 Academy Awards
Best Actor in a Supporting Role (Frank Sinatra & Donna Reed)
Best Cinematography, Black-and-White
Best Director
Best Picture
Best Writing, Screenplay
Burt Lancaster ... Sgt. Milton Warden
Montgomery Clift ... Pvt. Robert E. Lee Prewitt
Deborah Kerr ... Karen Holmes
Donna Reed ... Alma 'Lorene' Burke
Frank Sinatra ... Pvt. Angelo Maggio
Philip Ober ... Capt. Dana Holmes
Ernest Borgnine ... Sgt. 'Fatso' Judson
John Dennis ... Sgt. Ike Galovitch
John Bryant ... Capt. G.R. Ross (uncredited)
1.
The scene in which Maggio meets Prew and Lorene in the bar after he walks off guard duty, was actually Frank Sinatra's screen test for the part of Maggio. To impress director Fred Zinnemann, he did an ad-lib using olives as dice and pretending to shoot craps. The entire sequence was kept as is and used in the picture.
2.
A false rumor has been circulating for years that George Reeves, who played Sgt. Maylon Stark, had his role drastically edited after preview audiences recognized him as TV's Adventures of Superman. According to director Fred Zinnemann, screenwriter Daniel Taradash and assistant director Earl Bellamy, the rumor is false. Every scene written for Reeves' character was filmed, and each of those scenes is still present in its entirety in the film as released. This rumor is nonetheless repeated as truth in Hollywoodland, a movie about the investigation into Reeves' death.
3.
The novel was deemed unfilmable for a long time because of its negative portrayal of the US army (which would prevent the army from supporting the film with people and hardware/logis
留言列表
cines (5)
