女神殿

課前預習：
When We Were Kids: Fiona Apple & Paul Thomas Anderson (上)
According to People magazine, Anderson and Apple were first "spotted together" in February 1998, though Heath's Rolling Stone story from that January includes a passing reference to Apple showing up to a morning interview with a hangover after "she was up most of the night drinking Surfers on Acid (Malibu, Jägermeister, and pineapple juice) with Anderson," which dates the relationship back to at least late '97. Like a lot of twentysomething dudes in 1997, Anderson had a crush on Fiona Apple based on the barely legal soft-core of the "Criminal" video. "We sort of mutually wanted to meet the other person," Anderson said in 2000. "I certainly wanted to meet her. I mean, she was a foxy rock star who seemed really cool."
根據《時人》雜誌，PTA 和 Fiona Apple 在一九九八年二月「首度被看見在一起」，即使希斯在一月份《滾石》雜誌指涉了 Fiona Apple 早上接受採訪時宿醉，而她「前晚徹夜與 PTA 啜著酸性衝浪男孩 (馬勒布加賈格美思特加鳳梨汁) 把酒言歡」，記錄了這段關係得追溯自九七年末。就像許多九七年的年輕人，PTA 看了非法尤物的軟調情色 "Criminal" video 音樂錄影帶煞到 Fiona Apple。「我們有點兩情相悅，」PTA 在兩千年說。「我當然想會會她。我是說，她是隻看起來很酷炫的搖滾狐狸精。」
Anderson structured Magnolia around the songs of another singer-songwriter, his friend Aimee Mann, but he really wrote the movie for Apple. He was certainly influenced by her, later claiming that he would page through her notebooks at the house they shared — located not far from the filming hub of Magnolia — and "steal her lines." In the case of Stanley, the quiz show kid who's bullied by Michael Bowen's character and pees his pants in protest on the set of the game-show-as-metaphor-for-child-exploitation What Do Kids Know?, Anderson took direct inspiration from Apple's life and his burgeoning love for her, as he later told Rolling Stone in 2000.

原文出處：
Paul Thomas Anderson and Fiona Apple, the way they were
By Steven Hyden on September 11, 2012
這篇有點難翻筆者盡量客觀請務必參考原文。
The coolest, dorkiest, sexiest, and most indelible celebrity power couple of the '90s reached the zenith of its "It"-ness on December 8, 1999, at a movie premiere held at the Mann Village Theatre in Westwood, Los Angeles. For Paul Thomas Anderson, it was the first public unveiling of Magnolia, his third feature, which he boasted to the Village Voice was "unquestionably the best film I will ever make." For Fiona Apple, the event might as well have also been held in honor of her own difficult magnum opus, her second album When the Pawn… , released one month prior and containing more than 400 characters in its full title, a sufficiently unwieldy complement to Magnolia's uncompromising and studio-defying three-plus hours of running time. Anderson and Apple had earned the right to be audacious with recent, highly successful breakthroughs — 1997's Oscar-nominated Boogie Nights for him, 1996's triple-platinum Tidal and the Alternative Nation staple "Criminal" for her. They became stars by asserting totally '90s outlaw artistic integrity while at the same time engaging in good old-fashioned showbiz sexual titillation. Now Paul and Fiona (Pauliona? Fionaul?) were ready for their full-on genius-in-their-own-time close-ups, risk of overexposure be damned. "The timing is so ridiculous," Anderson gushed about this shared moment of glory in Spin's second Fiona Apple cover story two months later. "I'd want to slap us."

這是日本藝術電影院協會 (Nippon Art Theatre Guild, Tokyo, Japan) 每月發行之期刊，也就是說，中間拿【去年在馬倫巴】當封面那本就真的是日本當時上映年份某月所發行，每個月選一部電影當專題，不到半公分厚度的頁數也就只談論一部電影，封面設計相當迷人且雋永。 「左邊那本《男性女性》封面有 Chantal Goya 的簽名喔！不過當然是印刷品，非本人真跡。」在陌生國度聽到中年大叔用破英文，演員名字卻絕對讓你聽得懂的腔調，說出 Chantal Goya 芳名，筆者立馬上前攀談。 「我沒有很喜歡布列松的《聖女貞德的審判》啦！買四本送你一本。」販售價格完全反映出老闆喜好，此時黛芬賽莉格黑天鵝裝扮閃爍他日再遇將何期的巨星風采。 「你們喜歡貝托魯奇嗎？林北超尬意 Dominique Sanda ♥♥♥

筆者現在如此評價【戀夏五百日】( (500) Days of Summer , 2009) 這部完全建構在文藝青年對女主角魅力莫名迷戀的電影：自從 Zooey Deschanel 早就不是那位日舞影展小公主 (妳為什麼不紅結果紅了又不愛妳了)，當年與冏瑟夫拍攝 photoshoot 不可思議險露老態 (只是我們都選擇不說而已)，扣除過度精緻空殼內殘存對搖滾樂之指涉，

蝴蝶，蝴蝶，生得真美麗。 小女孩 Iris 有一天早晨從褐木棺材裡醒來，迎接她的是一群小女孩，Iris 毫髮無傷安然無恙，女孩們看她的眼神比較像是保溫箱外的親朋好友。Iris 來到一個被森林環繞的寄宿女子學校，就是那種會出現大野狼叼著小紅帽的森林，女孩們沒有訪客，彷彿父母因為某種不見得是不好的宗教因素選擇切斷連繫。女孩們以各種髮帶 (ribbon) 顏色區分年紀與階級，最長者 Bianca 繫上紫色，其他女孩為年紀最小的 Iris 繫上紅色，Iris 知道她最喜歡的大姐姐 Bianca 有一天會離開這座森林，屆時將由年紀次大的女孩取代 Bianca，自己也得學習為下一位新生綁紅髮帶。學校只規劃了兩門課程，由漂亮的愛迪老師主持生物課，大部分時間花在說明蝴蝶如何綻放瑰麗，以及美麗的伊娃老師 (Marion Cotillard 飾演) 指導重點學科，舞蹈，校長 (五點到七點的克萊歐傳奇女星 Corinne Marchand 飾演) 將驗收舞蹈成果，並於於焉染紅時帶走女孩們。女孩們課餘時間就學習好好當個女孩，例如溪邊玩水或盪盪鞦韆，生活起居則由似乎在學校待了一輩子的老婦伺候，對於女孩們只能服從。 對了，這座學校全體師生員工只有女孩與女人。 「愛迪老師好像因為以前逃跑失敗。所以被校長打斷腿做為懲罰。」 「如果逃跑未遂被發現，就要留在學校當僕人直到老死。」

這篇文章就當作是 那篇 文章的續集吧！ 本文以俱備票房號召力之男星為主 ，所以您看不到路易卡瑞和麥克彼特，甚至

↑ 看電影海報好像會有什麼怵目驚心的星際大戰爆發，其實劇情大綱只是一個太空人在浩瀚宇宙裡照顧溫室植物，不信的話你看海報下方還有小白兔隱於花花草草，然後機器人在幫主角挖土種樹。 太空人 Lowell 在土星環附近的工作是照顧人類最後一塊綠地，因為某種原因，地球已經沒有植物了，不過根據同事說法，那是一個沒有疾病、貧窮及失業問題的大同世界。不像其他人安於人工食品，Lowell 屢次與同事發生衝突，堅持要吃自己栽培的哈密瓜，因為那才是真正的食物。有一天邪惡的地球總部下令摧毀溫室，並召集該船組員返回地球，愛好大自然如 Lowell 聽到當然快瘋了，請想像楊紫瓊在【太陽浩劫】如喪考妣的悲慟神情。Lowell 死守人類最後一塊綠地過程中不慎將以鐵鏟擊斃同事甲，一不做二不休順便把同事乙丙丟到外太空，從今以後，這浩瀚宇宙就只剩 Lowell 和三個可愛的機器人照顧溫室，只是 Lowell 萬萬也沒有料到，自己竟然開始懷念那些開著賽車輾壓花草樹木的該死同事們…… 反烏托邦色彩濃厚，被學者認為是第一部倡導環保意識的電影，本片沒有【飛向太空】探討死亡與記憶之深刻哲思，更沒有【2009月球漫遊】崇高人道關懷精神，而男主角 Bruce Dern 細膩演出撐起了整部電影，觀眾看著 Lowell 與機器人玩起撲克牌的孤獨身影，沒有了朋友陪伴相插科打諢，坐擁整片森林也並不是想像中那麼愜意盎然的事情。由於【逍遙騎士】引起軒然大坡，一九七一年環球片廠啟動「半獨立製片」(semi-independent) 計劃，預期複製低成本高獲利之成功模式，給予五位年輕導演低於一百萬的預算，承諾不干涉拍攝過程，以及最終剪接權，本片導演 Douglas Trumbull 為【2001太空漫遊】打造了目眩神迷特效後，因此有了執導電影的機會。

　你們都知道筆者有多喜歡 Whit Stillman 這位掉書袋掉得比較不著痕跡的伍迪艾倫，與小克的舞廳時光，以及如何迫切地欲窺探獨立製片小甜甜 Greta Gerwig 領銜之最新作品 Damsels in Distress，筆者也希望不久的將來可以把以上三個句子的「你們」和「筆者」交換位置。Whit Stillman 聞於天下而後隱於天下，淡泊名利可比義大利建國三傑之馬志尼，九零年代拍了雅痞三部曲奠定小資青年躁語症 (logorrhea) 電影完美典範，除了每日反覆觀看憂鬱女孩預告三百回，我們來瞧瞧 Whit Stillman 選了哪些電影作為他的十大標準典藏：(居然沒有侯麥!!!) (兩部希區考克)
#1 
四百擊 Les quatre cents coups
99 min. 1959
by François Truffaut

1. 拍完異形前傳要拍【銀翼殺手】續集，還指名找哈里遜福特，雷特史考特示範了吃老本的最高境界。 2. 雷利史考特「易容」知名男演員小嗜好再度發作，繼【人魔】蓋瑞歐曼【王者天下】愛德華諾頓，先不要搜尋 IMDb，請於觀影過程仔細搜尋<蓋皮爾斯>與<派崔克威爾森>真跡。 3.

http://www.facebook.com/shelookslikeayoungmonicavitti "The night is darkest just before the dawn. And I promise you, the dawn is coming." 女神殿將於今年九月份 revamp，請支持女神殿脫離資本主義桎梏後重振往日雄風！！！

以下是筆者投筆從戎後開始購買的白人專輯 (節奏藍調新靈魂饒舌樂以外的專輯) [照字母順序排列]：
A Tribe Called Quest - The Low End Theory (1991)
A Tribe Called Quest - Midnight Marauders (1993)
Air - Moon Safari (1998) [失望]
Air - The Virgin Suicides (2000) [失望]

Oh, I could just love Sienna Miller (as Edie Sedgwick) for her little worried shoes in Factory Girl (2006) [heart]
天呀！這是我在電影裡面看過最可愛的鞋子了，好想要有個三十七雙 (取質數) ♥♥♥
"To me, New York was Jackson Pollock sipping vodka and dripping paint onto a raw canvas."
-- Edie Sedgwick (1943~1971)
和丹妮芙在【青樓怨婦】(Belle de Jour, 1967) 穿的這雙頗有異曲同工之妙，惟論俏皮可愛仍是前者獲勝 ♥♥♥